RONE Awards: Vote for The Beltane Escape

 

The Beltane Escape has been nominated for a RONE Award for excellence in

YA Paranormal/Fantasy/Sci-Fi!

The Beltane Escape InDtale Mag.png

Reader voting begins today, May 22 – until May 28.

To vote:
1. Go to http://www.indtale.com/2017-rone-awards-week-six
2. Follow the instructions to vote, follow (“Click to register)
3. Click the verification link sent to you via email. If you do not verify that you registered, you will be unable to vote.
4. Return to www.indtale.com.
You will find The Beltane Escape under the YA Paranormal/Fantasy/Sci-Fi category.

All votes will be greatly appreciated!

Coming Soon!

  • The relaunch of The Teen Wytche Saga will begin in June with new covers, new content, and new stories.
  • The Amber Elixir, a Two Realms novella featuring the Lady of the Lake, Merlin, and Morgan le Fay will soon be available for preorder.
  • The Viking Mist, Book 2, The Two Realms Trilogy, is in the final stages of editing!

 

 

Crafting an Elevator Pitch

keyboard-pixabay

An elevator pitch, known in the film industry as a log line (or logline), is a succinct explanation of your manuscript or screenplay’s central conflict. A well-honed pitch will include the story’s emotional hook.

No writer should attend a writing conference without first crafting an elevator pitch. You never know if the person standing beside you in an elevator, or sitting next to you at the hotel bar is an agent, editor, publisher, or producer.

Equally important, writing an elevator pitch is an excellent way to test your manuscript or screenplay. If your plot is too convoluted, your conflict too weak, or your protagonist too unremarkable, these flaws will surface while you attempt to craft your log line.

As you will see in this video by Rocket Jump Film School, a log line should answer 4 questions…plus one more. https://youtu.be/r0Fj_H9Q73k

If you find it difficult to distill your work down to a sentence or two, remember these questions:

  • Who is the main character?
  • What does he/she want?
  • What is keeping them from accomplishing their goal?
  • How do they overcome the obstacle?
  • Where does the story take place?

In the video, Will Campos breaks these questions down further, helping you reveal the critical details in your story that will help your elevator pitch or log line soar.

Write an awesome novel or screenplay. Then write a compelling log line to help you sell it.

~Ariella Moon draws upon her experiences as a shaman to create magical Young Adult fiction. Her series include The Two Realms Trilogy, a medieval fantasy adventure, and The Teen Wytche Saga, a series of sweet contemporary paranormal romances. http://www.AriellaMoon.com

Great Opportunity For Aspiring Authors

Why should you enter a writing contest? To gain valuable feedback. To gain access to acquiring editors and agents. To improve your craft. Toronto Romance Writers is accepting entries from unpublish…

Source: Great Opportunity For Aspiring Authors

Great Opportunity For Aspiring Authors

Romance signMF

Why should you enter a writing contest?

  1. To gain valuable feedback.
  2. To gain access to acquiring editors and agents.
  3. To improve your craft.

pen and notebook MF

Toronto Romance Writers is accepting entries from unpublished writers for The Catherine 2017* from December 1, 2016 to January 31, 2017. Permission to forward is granted and encouraged!

Grand Prize

The Gold Ticket Round winner and runner-up will receive a three-month mentorship with a published author.

Mentors:  Molly O’Keefe and Eve Silver

Judge:  Kristin Nelson, Nelson Literary Agency

Finalist Round

The top three entries in each category from the preliminary round will advance to the Finalist Round. Each entry in the Finalist Round will be judged by one acquiring agent and one editor.

Each first place winner in their category will receive a critique by a published author prior to advancing to the Gold Ticket Round.

CONTEMPORARY

Agent:  Shira Hoffman, McIntosh & Otis

Editor:  Deb Werksman, Sourcebooks

Published Author:  Stefanie London

CONTEMPORARY:  SHORT

Agent:  Jill Marsal, Marsal Lyon Literary Agency

Editor:  Piya Campana, Harlequin

Published Author:  Mary Sullivan

EROTIC ROMANCE

Agent:  Courtney Miller-Callihan, Handspun Literary

Editor:  Brenda Chin, Entangled Publishing

Published Author:  Christine d’Abo

HISTORICAL

Agent:  Laura Bradford, Bradford Literary Agency

Editor:  Jennie Conway, St. Martin’s Press,

Published Author:  Ann Lethbridge

MAINSTREAM WITH STRONG ROMANTIC ELEMENTS

Agent:  Janna Bonikowski, The Knight Agency

Editor:  Allison Carroll, Harlequin, Graydon House Books

Published Author:  Kate James

PARANORMAL, FANTASY, FUTURISTIC

Agent:  Jim McCarthy, Dystel, Goderich & Bourett LLC

Editor:  Angela James, Carina Press

Published Author:  Morgan Rhodes

ROMANTIC SUSPENSE

Agent:  Stacy Donaghy, Donaghy Literary Group

Editor:  Elizabeth May, Kensington Publishing

Published Author:  Kelley Armstrong

YOUNG ADULT

Agent:  Vanessa Robins, The Corvisiero Literary Agency

Editor:  Annie Berger, Sourcebooks

Published Author:  Juliana Stone

 

Preliminary Round 

Each entry will receive guaranteed feedback.

Judges: Toronto Romance Writers’ members.

*For the complete rules and regulations, please visit torontoromancewriters.com

Crowned Heart for Excellence Review!

the-beltane-escape-indtale-mag

So excited to receive a coveted Crowned Heart review from InD’tale Magazine!

 

Author Spotlight

I’m delighted to feature Ariella Moon’s Young Adult release, The Beltane Escape. This is Book One of The Two Realms Trilogy.   Blurb  Lady Fenella, Thaness of Thorburn, has no idea her …

Source: Author Spotlight

Choosing the Best Point of View

Today’s guest post by Brigid Amos on Point of View (POV) brought to mind my own evolution as a writer. Mastering POV was vital to my becoming published. To conquer my head hopping habit, I forced myself to write an entire book, Spell Check, from a single point of view. My writing improved dramatically, and Spell Check became my first published novel. Spell Struck, the second book in my Young Adult Teen Wytche Saga, required alternating points of view. As Brigid explains, there is a way to successfully achieve this. My sixth book, the upcoming sequel to The Beltane Escape has been a challenge. Four points of view! Watch for more details on The Viking Mist.

Now please welcome Brigid Amos, author of the newly released A Fence Around Her, a Young Adult Historical novel.

brigid-amos-headshot

One of the biggest decisions a writer makes when she begins a new story is choosing a point of view (POV). There are many ways to define POV, but I like to think of it as the means by which the writer guides the reader through the story and what she allows the reader to see, hear, and know. It is as if the reader arrives at a theater to watch a performance, and the writer is the usher who shows the reader to his seat. But the seat isn’t necessarily in the audience. Sometimes, it’s inside the head of one of the characters, sometimes, it is even inside the writer’s head. Where the reader sits will completely affect how he experiences the story. The usher can move the reader around during the performance, but must do so in such a way that he does not get confused and lose track of the story.

When I first started writing, I gravitated toward an omniscient point of view, or so I thought. I wanted to tell the reader what everyone was thinking and feeling, as if I were a camera floating about a scene, but one that could also dive in and out of characters’ heads at will and somehow record their thoughts. I think this tendency to the omniscient POV is very common among beginning writers. For me, it was probably an effect of being steeped in classic literature. But the problem was that I was not writing in a true omniscient POV. Instead, I was “head hopping,” that is, changing POV from one character to another and completely confusing the reader. I learned early on that if I were going to write in third person, I had to stick to one character for an entire chapter or at least an entire section. In this way, I could write in a close third person POV without getting into too much literary mischief.

When I started writing A Fence Around Her, I so strongly identified with my protagonist Ruthie Conoboy, that I naturally switched my usual close third person POV to first person POV. Ruthie tells her story directly to the reader, and when the reader comes to my theater, I seat her right there in Ruthie’s head so that she can look through Ruthie’s eyes and hear with Ruthie’s ears. When I was writing, I felt that I was Ruthie writing the story as if in a journal or diary. People always ask me if I journal. When I was studying for my Master’s degree years ago, I bought myself one of those cute little fabric covered blank books and dutifully filled the pages every day. Then I stopped, because frankly, journaling wasn’t as fun for me as it is for others. The strange thing is that when I write in first person, it feels as if I am journaling, but I’m doing it in character. And when I’m journaling from the point of view of one of my characters, it is most certainly fun!

afencearoundher1600x2400

Can a girl break free from her mother’s past?

About the book:

Having a mother with a past is never easy. For Ruthie Conoboy it becomes the struggle of a lifetime in 1900, the year Tobias Mortlock arrives in the gold mining town of Bodie, California. Ruthie is suspicious of this stranger, but her trusting father gives him a job in the stamp mill. Soon, Ruthie suspects that her mother and Mortlock have become more than friends. Can Ruthie stop this man from destroying her family?

Having a mother with a past is never easy. For Ruthie Conoboy it becomes the struggle of a lifetime in 1900, the year Tobias Mortlock arrives in the gold mining town of Bodie, California. Ruthie is suspicious of this stranger, but her trusting father gives him a job in the stamp mill. Soon, Ruthie suspects that her mother and Mortlock have become more than friends. Can Ruthie stop this man from destroying her family?

To read and excerpt and more, please visit Ariella Moon Blogspot.

A Fence Around Her is available on 

Amazon:  getBook.at/AFenceAroundHer

iTunes:   https://itun.es/us/qzAQeb.l

Kobo  Smashwords

About Brigid Amos:

Brigid Amos’ young adult historical fiction has appeared in The MacGuffin, The Storyteller, Wilderness House Literary Review, and Words of Wisdom. A produced playwright, she co-founded the Angels Playwriting Collective and serves on the board of the Angels Theatre Company. She is also an active member of Women Writing the West and the Nebraska Writers Guild. Although Brigid left a nugget of her heart behind in the California Gold Country, most of it is in Lincoln, Nebraska where she currently lives with her husband.

Connecting with Brigid:

Join Brigid’s mailing list: http://www.brigidamos.com/mailing-list-signup.html

Like Brigid on Facebook: https://www.facebook.com/brigidamoswriter/?fref=ts

Follow Brigid on Twitter: https://twitter.com/Brigid_Amos

Visit Brigid’s website:       http://www.brigidamos.com/